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Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts: 60 (Eastman Studies in Music) de Michiel Schuijer

Descripción - Críticas Winner in November 2010 of the Society for Music Theory's Emerging Scholar Award. The award committee described Schuijer's book as 'thoroughgoing, thoughtful, and thought-provoking.' The history of the intellectual and institutional adventure that set theory led to [in the musical domain] is of undeniable interest, and the author is the first to treat it in this fashion. One of the best chapters is the last one, in which Schuijer focuses on the fundamental role of the computer in the growth of set theory. REVUE DE MUSICOLOGIE [Xavier Hascher] Without doubt, a book worth reading. Anybody interested in the relationship between music theory and music history . . . will find much to explore here. DIE MUSIKFORSCHUNG [Christoph Hust] A formidable achievement, . . . written [by Dutch-born Michiel Schuijer] in English, superb English. . . . [Schuijer] is as knowledgeable as he is broad-minded. . . . He has chronicled, rather brilliantly, a slice of music history and theory that may remain of interest for a long time. DUTCH JOURNAL OF MUSIC THEORY [Jonathan Dunsby] [Schuijer] argues powerfully that . . . PC [pitch-class] set theory was part of a programme to lift the importance of music theory [in American universities]. . . . Remarkably compact yet wide-ranging. . . . Schuijer has a keen sense of when the theory seems to take off and live a life of its own. MUSIC AND LETTERS [Michael Russ] A penetrating study of pitch-class set theory, its mathematical foundations, and the context in which it was developed. --Mark Delaere, University of Leuven, Belgium. Schuijer's book brilliantly situates pitch-class set theory -- our dominant mode for analyzing atonal music -- in its historical, social, and cultural contexts: this is a tour de force of intellectual history. What is more, it also provides a magisterial if, at times, pointedly critical summary of the theory itself. A deeply thought evaluation of a theoretical approach that has largely escaped critical scrutiny, despite its dominant position in contemporary North American music theory. --Joseph N. Straus, Distinguished Professor, Graduate Center, City University of New York Reseña del editor For the past forty years, pitch-class set theory has served as a frame of reference for the study of atonal music, through the efforts of Allen Forte, Milton Babbitt, and others. It has also been the subject of sometimes furious debates between music theorists and historically oriented musicologists, debates that only helped heighten its profile. Today, as oppositions have become less clear-cut, and other analytical approaches to music are gaining prominence, the time has come for a history of pitch-class set theory, its dissemination, and its role in the reception of the music of Schoenberg, Stravinsky, and other modernist composers. Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts combines thorough discussions of musical concepts with an engaging historical narrative. Pitch-class theory is treated here as part of the musical and cultural landscape of the United States. The theory's remarkable rise to authority is related to the impact of the computer on the study of music in the 1960s, and to the American university in its double role as protector of high culture and provider of mass education. Michiel Schuijer teaches at the Conservatory of Amsterdam and the University of Amsterdam. His research focuses on topics at the interface between music theory and historical musicology. Biografía del autor Michiel Schuijer teaches at the Conservatory of Amsterdam and the University of Amsterdam.

Pitch class wikipedia pitch music music theory pitch class wikipedia free download as pdf file pdf, text file txt or read online for free pitch class system explanation Analyzing atonal music pitchclass set theory and its analyzing atonal music pitchclass set theory and its contexts 60 eastman studies in music schuijer, michiel libros en idiomas extranjeros Analyzing atonal music boydell and brewer schuijers book brilliantly situates pitchclass set theory our dominant mode for analyzing atonal music in its historical, social, and cultural contexts this is a tour de force of intellectual history what is more, it also provides a magisterial if, at times, pointedly critical summary of the theory itself

Stichting huygensfokker tuning amp temperament bibliography bibliography containing references to literature about musical tuning, temperament, scales, microtonality and intonation with links to relevant sites Set theory music wikipedia music theory elements set theory music wikipedia free download as pdf file pdf, text file txt or read online for free wikipedia, the free encyclopedia Analyzing atonal music pitchclass set theory and its ultimately, pc set theory, while it appeals to a scientific sense of objectivity and consistency 270 is not scientific its results cannot be properly tested and verified and it cant explain atonal music, it can only help look for possible relationships and consistencies

Detalles del Libro

• Name: Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts: 60 (Eastman Studies in Music)
  
• Autor: Michiel Schuijer
  
• Categoria: Libros,Arte, cine y fotografía,Música
  
• Tamaño del archivo: 18 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

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Teoriacriticamusicaatualidade_ufrj 2012 hermenêutica the word seems to be at its very essence emotional and political and in our fields of music, music theory, and musicology, it is emotionally, and politically, that we often respond to it to illustrate the emotional charge that has accompanied the word since its origins, i offer two examples, one from over 150 years ago, one from a bit less than 100 Livroteoriacriticamusicaatualidade_isbn9788565537018pdf pitchclass set theory, atonality, and latent serialism in his essays, bartk differentiated between atonality, polytonality, and polymodality, stating that in a final word on this subject, we may say that atonal music offers no fundamental tone at all, polytonality offersor is supposed to offerseveral of them, and polymodality offers a single one St théorie de la musique musicologie scribd oooooooooooo